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Post by Hayesmusic on Mar 6, 2005 17:24:13 GMT -5
I was recently asked ‘Why is the headjoint of a flute so important?’<br> Answer: The headjoint is singularly the most important part of the flute, not only for sound production but also for tuning. Flute makers continually strive to make the ‘perfect’ headjoint, however because this is such a subjective topic, the perfect headjoint will probably never be made. Broken down in to three distinct parts, the tube, lip plate and the chimney or riser, most headjoints give different strengths and tonal widths in various parts of the octave. There are various reasons for the different headjoint characteristics of the various manufacturers – different parabolic curves, varying embouchure sizes, angles and depths.
What can be said with certainty is that a student will advance quicker, and to a higher standard if they play a flute resplendent with a responsive headjoint.
The developing flute player requires a little bit more resistance with their headjoint, which gives them the opportunity to find their sound whilst experimenting with different tonal colours. One of the key elements is the use of precious metals.
If you have opinions on this matter then please register onto the forum and air your views. Thank You
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